Industrial (5)

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The Plummet Machine

All things are subject to explanation by constructs that assign or impregnate their subjects with meaning. In order to construct meaning, an order is assigned to the object’s components. Out of this ordering comes the inevitability of a hierarchy. From hierarchy, we are then given a system of relations in which precedent is given to…

Constellation Vanity

Diana Cooper didn’t know what to include in the Surviving Sandy show when she was invited. She was busy, in the midst of several other shows, and skeptical, even nervous to revisit such a sensitive area. For Cooper was greatly affected by Hurricane Sandy. She lost countless works, years of early efforts (done in college…

Untitled

Daniel Turner’s studio in Brooklyn lies alongside the Newtown creek, one of the nation’s most polluted bodies of water, and a new U.S. Superfund site when Turner moved there in 2010. He had been working mostly outdoors, in rural Virginia, before returning to New York for a studio residency downtown. As a reaction to the…

Marker

At the close of Andrei Tarkovsky’s film Nostalghia, the exiled poet Andrei finds himself in the ruins of the San Galgano cathedral, confronted with the memory of a home that is forever out of reach. The cathedral’s interior and exterior have become blurred, the roof long since collapsed, the delineation of sacred space rendered in remnants, a residual…

Lot 080711 (the radiant future); Lot 020412 (port)

The bright clean colors of the monochrome panels shine out from their worldly supports. In Lot 080711 (the radiant future) (2011), the support—an industrial cement mixer with a thick board that carries an orange painting—extends vertically out of the open top, while in Lot 020412 (port) 2012, a more-than-half-ton cement block with a board similar…