Yellow white green clock (2012) is an abstract stained glass clock face with Roman numerals. It hangs from a wire so that the “X” is where “XII” should be, meaning 12 is actually at 2 o’clock. Placed against a window with a view of Sunset Park, Brooklyn, the clock face transforms the gallery space into…

There are two primary features that have consistently preoccupied Robert Storr in his pictorial ambition thus far: first, the attraction to reductive abstraction without a link to any particular school or group; second, the pace of the painting awaiting the painter, or one could say his speed of execution, which is slow, deliberate, and restrained…