Suzanne Joelson’s assemblage of paintings titled Rhymes with Orange is a kind of visual meditation on the color orange. But just as “nothing rhymes with orange,” the paintings that comprise it live in conversation with one another, a kind of slant-rhyme that bounces meaning and formal devices from one panel to the next, throwing them…

Sheila Pepe is known for her woven and crocheted installations and web-like constructions. Carrie Moyer, for her acrylic paintings with organic shapes and spindly offshoots that end in distorted figurative references that recall Dada and Surrealism. The two artists are partners and sometimes collaborators and both are esteemed educators. For Surviving Sandy their works were…

Tamara Gonzales is like a shaman, a female spiritual leader in North Brooklyn. With the most economic means, her ecstatic paintings effuse with kaleidoscopic patterns of color and light. She employs antique lace as a template through which she creates polychromatic washes of spray paint. Lace isn’t girly in Gonzales’s images. Multiple patterns and styles…

After years of painting in his trademark style, for which he first gained recognition in the late ’60s, Chuck Close, who is now age 74, has begun to remove what seems to be most essential to his work: his grids, his algorithmic process of painting, and his own hand. His tapestries, two of which were…